JH Color Theory: Patina
A quick Color Theory story in homage to the worn-in, idiosyncratic imperfection that comes with age and the inspiration behind our newest polish, Patina.
The word patina comes from the Italian patina (shallow layer of deposit on a surface), derived from the Latin patĭna (pan, shallow dish).
Patination describes a particular quality of material decay; the electrochemical result of accumulated exposure to the elements...
Exhibit A: Our vernacular for patina invariably includes the iconic Statue of Liberty, which gleans its famous green color from the natural patina formed on its copper surface.
Exhibit B: Bronze mirror, c. 300 BC, esteemed for the patina that forms over time as the surface of the bronze tarnishes.
Exhibit C: Roughcast steel with a dark, earthy patina in Is, Was (Deep), an avant-garde sculpture by Christopher Wilmarth.
His "related works are concerned with memories, their gradual effacement, and the passage of time." [Chrysler Museum of Art]
As a physical property patina offers a visual marker of an object’s time-boundedness, reflected in the accumulated signs of aging.
One part ultra-pale early spring green, one part painter's putty, our newest JH polish member was inspired by the sheen – a product of age, wear, and polishing – as it is commonly used to refer to objects with “character.”
We're also relishing in the absurdity of the common cliché: “It has a beautiful patina!” aka. that thing just looks… kinda old.
The color is purposefully ambiguous, like honeydew or white smoke. But if you had to describe it, our tasting notes include:
Symbolic Maturity
Creme de Lichen
An Oxidized Finish